The last post comes from Olugbemisola Rhuday-Perkovich, author of EIGHTH GRADE SUPERZERO–debuting January 2010 from Arthur A. Levine/Scholastic. To find out more about Olugbemisola and her books, visit her at http://www.olugbemisola.com.

All of a Peace

I’ve loved to ‘make things’ for as long as I can remember. At the start of every holiday season my mind turns (a little too late) to all of the gifts that I want to make for people, for myself, for no particular reason; and then my longing to work on those often competes with a craving for more time to write, to work…and then I remember once again that it’s all of a piece for me, this writing and crafting thing.

Knitting and stitchery help me to revise, to think through stories or writing issues.  Like many writers, I spend a lot of time ‘thinkwriting’, and often a day comes when I sit down with my notebook and a fine point felt-tipped pen, and…a blank page stares back at me. And stares. And stares. I usually keep a few unfinished needlework projects around for just those moments, and when I pick up the needles and start to knit and purl, or loop the needle and floss around in a simple blanket stitch, the story welcomes me; I work my way in.  There is something about working the texture of the yarn, fabric, embroidery floss, or sometimes clay, that prompts me to simultaneously focus and let my mind wander into a story or moment with a character in a way that is both productive and supremely enjoyable.

I’ll admit that part of my inclination to making a writing/crafting connection stems from a nagging sense of guilt about looking busy, about ‘doing more’…letting those people who tell me about their ‘real jobs’ that keep them from ‘sitting around writing books’ get to me. In a way, that has prompted me to think about my crafts as intricately entwined with my work as a writer.  But that’s also been a blessing in disguise, because I truly believe that the work with my hands stimulates the creative work of my brain.  Collage, another wonderful brainstorming and revision tool, has literally helped me enrich characters and add depth in ways that simple listmaking or character sketches have not. Choosing a certain shade of blue, a scrap of text from a vintage book, a photograph of an overturned vase can immediately evoke a story or character ‘memory’ — “Ruthie would have done this, and then this…” — that leads me down an exciting writerly path. Sometimes it’s a literal “Aha!” moment, when a scene or bit of dialogue pops out, clear and gleaming as crystal, in the process of making; other times it’s a dim sensibility, a mood, an idea about theme that becomes lucid as I roll tiny french knots, maneuver a cable needle, or just wind a ball of alpaca round my hands.

And sometimes I make a stuffed toy or a cat hat because I’m just procrastinating and don’t want to pick up a pen (I still write longhand first drafts, notes, etc.) just yet.

“What does your character want?” is one of those questions that is often asked of an author in the process of writing and revising. I think they all want to be treated with care and respect, and taking some time to work with my hands in this way reminds me to do just that. And sometimes, when I lay down the pages and turn on the sewing machine for just five minutes, I am reminded that it’s not that I don’t have enough time — I do. I don’t always respect the time that I have, I let the tyranny of the urgent overpower the important. Then I let myself enjoy this work that means so much to me, go into the story and tend to my characters with patience and a renewed sense of purpose.  I can even tell myself that the almost unforgivable amount of unfinished objects and WIPs laying about are helpful, really, plentiful reminders to respect and enjoy the process, not just the finished product. I’m not a particularly skilled crafter, and definitely a dilletante  (you should see my craft book collection, it’s embarrassingly large and all over the place); but I love to make things. It awakens my mind, and quiets my soul. It helps my work; it helps me love my work.  The ‘craft’ of writing works for me.

My craft blog:

http://www.olugbemisola.com/blog


A Few Creative/Craftish Books that Inspire My Work:

52 Projects by Jeffrey Yamaguchi
The Creative Habit by Twyla Tharp
Knitters Almanac by Elizabeth Zimmermann,
Making Puppets Come Alive, Larry Engler & Carol Fijian
Creative Knitting, by Mary Walker Phillips,
Handmade Toys and Games, Dollmaking: A Creative Approach, and Creative Body Coverings, by Jean Ray Laury
The Joy of Knitting by Lisa R.Myers
Knitting for Anarchists, by Anna Zilboorg
Making Things, Books 1 & 2, by Ann Wiseman
Kurikuri/Tezukuri Series (Japanese)

A few crafting projects:

Today’s post is from Stephanie Burgis, author of the Unladylike Adventures of Kat Stephenson trilogy, which starts with Book One: A Most Improper Magick, due to come out April 20, 2010 from Atheneum Books. To find out more about Stephanie and her books, please visit http://www.stephanieburgis.com.

Follow Your Fun to Success

 

The most important writing tip I know is this: *follow your fun*!

 

It’s important to write as well as you possibly can, but it’s even more important to write your true heart’s passion. That’s a lesson it took me a long, long time to learn.

 

Back in 2001, I attended the Clarion West Science Fiction & Fantasy Writing Workshop. It’s an intense 6-week, residential workshop with competitive entry, taught by professional science fiction and fantasy authors. I learned more about writing in those six weeks than I ever had in my entire life up until then, and I got to see my own writing improve in huge leaps, faster than I ever could have imagined. Without having gone to Clarion West, I wouldn’t be a professional writer now, and I’m incredibly grateful to have had that opportunity.

 

And yet…

 

There was just one thing that wasn’t so good for me about the workshop. Before I stepped on the plane to Seattle, I was midway through the first draft of a lighthearted, silly, funny middlegrade SF novel that made me laugh and made me happy. Within a week of arriving at the workshop, I’d given up that novel. By the end of the workshop, I felt genuinely *embarrassed* to have ever let myself spend time writing something so silly and un-“serious”…because the message I somehow picked up at the workshop (and I’m not blaming any of my instructors or classmates for this) was that writing had to be “serious” to be worthwhile – and who wants to write something that’s not worthwhile?

 

Well, I’m a reasonably intelligent person. Once I have a goal, I try to follow it. So for the next five years, I wrote Serious Work™ with all my might. I’m really proud of a lot of the stories I wrote in those years, and I worked very hard on them. I think everyone has darkness inside of them as well as light, and I explored that darkness as well as I could.

 

Every so often, though, I’d slip and let myself write a funny, lighthearted short story just for my own entertainment, and in what should have been a sign to me, the first one I wrote turned out to be my first professional short story sale – but I ignored that sign with all my might because it didn’t match the “truth” I thought I understood about writing.

 

The thing is, what I wanted more than anything else in the world was to publish novels – so when it came to writing novels, I never let myself slip. I wrote Serious with all my might, working very hard to try to write the kind of novels I thought other people would want to read…until one day the idea for a completely different kind of novel slipped into my head. It was wacky, lighthearted, and the first lines made me laugh…so I knew I couldn’t let myself do it.

 

It was the opposite of “serious”. It was the opposite of where I thought I needed to go for my career. It was too quirky, too focused on my own individual loves. It was what *I* wanted to read, not what *other* people would want to read. I knew I couldn’t let myself write it, no matter how tempting it felt…

 

Well, I’ll cut a long story short. I finally gave in (almost a year later!) and wrote that novel purely for myself because I couldn’t get it out of my head…and guess what? Last year that book sold as the first in a trilogy. It turns out that what makes me laugh makes some other people laugh, too – and the books that were most fun for me to write are also the books that are most fun for other people to read.

 

I’m not saying that everyone ought to write lighthearted, funny books. But the lesson I’ve learned not, just from my own experience but also from the careers of a bunch of my writer-friends, is that your most successful books will always be the ones you write *for fun*, whether that means light-hearted Regency fantasy for kids (like mine) or hardcore, fact-based science fiction/gruesome thrillers/meditations on grief. Different people enjoy different things…

 

…But whatever you write, make sure you’re writing what *you* truly want to read, not what you think agents/editors/other “important people” will want to see. That’s not just the only way to make writing truly worthwhile – it’s also the best tip I know for success.

Jessica Leader is the author of Nice and Mean, about two girls, one nice, one mean, who face off in their middle-school video elective. Nice and Mean will be published by Simon and Schuster on June 8, 2010. To learn about Jessica, Nice and Mean, or the nifty polls she’s put on her website, go to www.jessicaleader.com.

 

The Writing Block Song

Chanukkah celebrates the overcoming of adversity in the face of great odds, and you know, that’s just what we do as writers. Some days, facing down a troop of Syrians doesn’t seem like much, compared to figuring out what the heck I’m going to do with that dropped plotline. Writing calls for hard work and miracles, too!

With that in mind, I give you a version of the most traditional Chanukkah song I know, with a twist: writer’s block.

The rhythm of the song is a little wonky (we Jews love our syncopated rhythms), so here’s a video of the song to help you with the tune. It’s an unusual choice for a video, I admit (a middle-school student signs while music plays in the background), but the ones I passed up featured strobe-light menorahs, off-tempo pre-schoolers, and a chorus of girls so unfortunately attired in matching black dresses, I couldn’t bear for anyone to watch them.

The Writer’s Block Song

By Jessica Leader

 

Writing block, oh writing block, it tries to destroy us.

How can we change it to merely annoy us?

Here’s my little lesson to lessen the rage:

Blocks are really boredom with what’s on the page.

 

(Chorus tune)

I ask myself questions

To see what is making me bored.

One for each night, they diminish my fight

And they sweeten what once was abhorred.

One for each night, yes, they shed welcome light

And result in a tale that’s adored.

(I hope!)

 

(Verse tune)

First: is my character’s goal in this scene clear?

Is there good reason that she wants it now, here?

Is her life so bad that we care where it hurts?

Drive her up a tree, then pelt her with dirt.

 

(Chorus tune)

And now, motivation,

I’ve conquered you—Ha, you are mine!

Now I’m revising—Tyra, I’m smizing—

This novel is closer to fine.

But while rereading, my joy is receding—

Cause somehow, my prose doesn’t shine.

 

(Verse tune)

Know why this is dull, Jess? You can’t see the setting.

(Dialogue’s my favorite; set’s my forgetting.)

So I go back in and sprinkle details

Best if they’re symbolic—a cure for what ails.

 

(Chorus tune)

I think this part’s good now.

It doesn’t suck nearly as hard.

Where is my chocolate?

Because I have rocked it—

I see my book multiply starred!

Bring on the gelt,

I will loosen my belt

For a big giant writing reward.