Category: Contests

Night 5 Writing Tip

Lindsay Eland, author of SCONES AND SENSIBILITY, coming out on December 22 from Egmont USA (OMG! That’s 5 days people!), posts today! To find out more about Lindsey and her books visit her at www.lindsayeland.com

 

A Somewhat Revealing Post

There is a lot more to who we are as people than just what we say, right?

We are people who feel and think deeply yet so differently about everything from the Twilight craze to the African Aids epidemic.

We react to all our surroundings revealing to everyone around us how comfortable we are on stage or in a crowd at Disney World.

And we each have our own unique backstory that illuminates the very essence of who we are in this very moment.

So it has to be with the characters we create. Our stories must be saturated with character.

William Goldman said, “If your characters are saying only what they’re saying…you’re in trouble.”

How true.

Everything that you write must reveal that character you want us to follow and sympathize with, and cry over, and cheer for.

We must see him or her through every single setting.

Feel what they feel at every moment and turn—their reactions coloring every bit of prose and every description.

He or she must be revealed in every tidbit of backstory, every line of exposition, every detail from the cereal they eat at breakfast to the music they play on their ipod.

Everything must reveal character.

Because just as we are people worth watching and paying attention to and listening to, and cheering for, so our characters must be as well.

Night 4 Writing Tip

Today’s post comes from Kurtis Scaletta, author of Mudville, published in 2009 by Knopf Books for Young Readers. His second novel, Mamba Point, will be published in 2010, and his third novel, Wake, ME, will be published in 2011. Find out more about Kurtis and his books at http://www.kurtisscaletta.com.

 

The Long View


If I had to distill my advice for emerging writers to a single sentence, it would be: take the long view.

 

Take the long view of your career

 

In my 20s and early 30s I went running sometimes. I was never a runner, though. I know a lot of runners, and they just do the whole running thing on a different level. They run every day, no matter what the weather or their mood. They know all the science about running — the proper way to stretch and warm up, what their heart rate should be at any point in a run, when and what they should eat, and a bunch of other stuff I find boring.

 

I thought I might like to run a marathon, some day, but the plain truth of it is that I liked the idea of boasting about having run a marathon, but didn’t really want to become a runner, and that’s what you have to do first. You have to take a long view of yourself as a runner. It’s a lifestyle decision, and I wasn’t up to it. I know now I’ll never run a marathon. That’s fine. I’m not a bucket list guy with a bunch of stuff I want to do just to have done it. I have also realized at various times in my life that I am not a musician, an artist, a golfer, a poet, or a practitioner of yoga.

 

I am a writer, though. I have always had a long view of myself as a writer, and went through many years of writing classes and workshops, critique groups, reading books about writing and publishing, and writing every day, completing four unpublishable manuscripts before the first made its way into print. So when people ask me how I got a book published, I find myself explaining that I was a writer first. I didn’t just knock off a book over a long weekend and win the slush pile lottery. I’ve been doing this stuff since I was six years old.

 

And I still have a lot to learn. I may have sold a book or three, but I still read other books and realize I have a long way to go. It’s not about just straggling along the finish line once and saying, “There, I did it. I ran a marathon.” I want to keep doing this, and keep achieving a new personal best.

 

Take the long view of your role in the industry

 

Most agents and editors aren’t looking for a one-off. They’re looking for a LTR, as they say in the personal ads. I think it’s easy for new writers to jump at any opportunity to get a bit closer to publication, but since I’ve now known my agent for three years and my editor for two and a half years, I can really appreciate how important it is to have smart, thoughtful people who are also taking the long view of my career as a writer. It’s a serious commitment for everyone, and you all need to be ready for the long haul. Think of the relationship beginning with your query letter, not with an offer.

 

Take the long view of your current project

 

If you’re lucky, you might see your first novel in print three years after you start writing it. For me, it was five years. Book publishing is a slow business. We live in the age of NaNoWriMo and instant web publishing, and blogs that turn into book deals within months, but most books take a year or more to write and up to two years to publish after the manuscript is done. So even though it’s exciting to have books out on submission, knowing that any minute now the phone might ring with exciting (even life-changing news), there’s really no hurry. There’s always time for another round of revisions, or for a little research to tighten up some stuff you faked your way through on the first draft. I’m really glad I gave Mudville that second summer of revisions, that I stopped to research things that felt unimportant when I was storming through that first draft (like how to rebuild a baseball field) and that my agent then put me through another winter of edits before she started shopping the book around. Now that it’s out, it doesn’t feel like the waiting was that hard, and it was definitely worth it.

 

On a similar note, take a long view of your book. It might be in print for fifty years or more. A few months, even another year, will not make a difference. And don’t worry about what the current trends are, either. Did E.B. White worry about whether pig fiction was big in 1952? Was Dr. Seuss convinced that rhymed stories about meddlesome cats were all the rage with six year olds five years later? Write as if your book will be around for generations, outlasting the trends. Maybe it will, and maybe it won’t, but it’s more likely to if you take the long view.

Night 3 Writing Tip

change_of_heartToday’s post is from Shari Maurer, fab author of CHANGE OF HEART. Debuting Spring 2010 from WestSide Books, CHANGE OF HEART, tells the story of a 16-year-old soccer player who needs a heart transplant and learns about life, love and friendship in the process. To find out more, visit Shari’s website www.sharimaurer.com

 

8 Chanukah Pieces of Wisdom (9 if you count the Shamash): Back to Basics

In honor of Chanukah, I thought it would be fun to talk about 8 things (one for each night) I’ve learned in my path to publication. And then I had to add an extra one for the Shamash or helper candle. (Actually, I came up with 9 and the Shamash was just an excuse to put it in!) Happy reading!

1. Write about things you love. No sense spending a year of your life working on something you don’t enjoy.

2. Research often helps with plotting. The more research you do, you’ll find that many times plot points will fall into place. (I wound up changing a girl character to a guy after speaking to one heart transplant recipient and hearing her experiences). Readers aren’t stupid—they can spot an inconsistency or false fact a mile away.

3. There’s no such thing as a bad first draft. Or rather, all first drafts are probably bad, but you just need to get them out and then you can make them shine.

4. Revisions, revisions, revisions. Nothing is perfect on the first shot and rarely on the second (or the third or the fourth).

5. Find critiquers who aren’t your mother or your best friend. They should be people you trust and people who aren’t afraid to show you where something is weak. Encourage them to tell you the truth.

6. Don’t cry when they tell you the truth. They’ll feel bad and never tell you the truth again.

7. Publishing is all about patience. You can write as quickly as you want, but then you wait for your critiques, you wait for answers to agent queries, you wait as they read (if you are lucky enough for them to ask to see your manuscript). Then when you have an agent, you wait for answers on subs. And if you are getting published, you are waiting for revision letters, covers, etc. I used to not have enough patience to chop veggies for a salad, but now I’m much calmer.

8. Don’t underestimate the power of a good cup of coffee in the creative process! I’ve written some of my best chapters with the help of a wicked caffeine buzz.

9. (the Shamash piece of wisdom) When you’re not writing, make sure you are reading. Read everything in genres you love and genres you are not as comfortable in. Read for pleasure and read to analyze. If you see the woman in the carpool line or in the bank line or in the stands waiting for her son’s basketball game to start with her face in a book, that’s me (I’d never read during the game, but why lose precious reading time watching them warm up).

Happy Chanukah everyone!


Night Two Writing Tip

Steve Brezenoff, author of THE ABSOLUTE VALUE OF -1–debuting September 1, 2010 by Carolrhoda Books–blogs below. To find out more about Steve and his books visit him at http://www.stevebrezenoff.com


I’ve heard a lot of advice about how to write in my life. There’s the old yarn about writing every day: I think when I was in college, as a Creative Writing major in my freshman year (I switched to Literature in my sophomore year), I told someone I was a writer. The person–no
doubt an upperclassman–replied with a question: “Do you write every
day?” I had to reply honestly and that I did not in fact write every
day. I think my admitting that made his day. “Then you’re not really a
writer,” he said, smugly. “A real writer writes every day. He can’t
help it, in fact. It’s not a question of discipline. It’s a question
of compulsion.”

I believed that for years. Literally, years. It probably contributed
to my changing majors, although I can mostly blame that on my freshman
Writing Poetry class, which I loathed. But I digress.

Over the years, it occurred to me–and was probably explained to
me–that writing every day was in fact a matter of discipline. Some
days, even “real” writers aren’t driven to the
pen/typewriter/computer. On those days, we need the discipline to sit
down and bang out a few hundred or thousand words. We hear BIC
plenty–butt in chair, that is–and there’s more than a grain of truth
to it. Sometimes a clogged writing pipe needs to be forced open, and
then, after a hundred or five hundred of two thousand words, it starts
to flow a little easier. Sometimes it doesn’t, of course; sometimes
it’s futile. But you have to try.

Recently–perhaps because I’ve sold a novel and done loads of
work-for-hire writing such that I can comfortably call myself a
writer–I’ve come to understand that a writer, no matter his or her
stature in the field, need not write every day. A writer writes. When,
where, why, how often–these are all tremendous variables. If you can
count on a free three-hour block every Tuesday after lunch, and you
use it to write, then you’re a writer. If you can count on one full
day every third Saturday, or fifteen minutes before breakfast every
odd day, or forty-five minutes on days that begin with “T,” and you
use that time to write, then you’re a writer. It’s that simple.
Writing takes a lot of commitment, certainly, but it’s not a
faith–there’s no dogma.

But listen. You’ve heard all this before, in some shape or form, so
I’ll share one of my particular, um, techniques when I write. Here’s
how I do it.

I start. It doesn’t matter if it’s the beginning or some scene in the
middle or the very last paragraph or a scene before the beginning that
I’ll no doubt decide is to expository and get rid of (this happens all
the time!). Once the first scene I want to write is written, I’ll keep
going, if I can, getting to know these characters. There’s a pretty
good chance that at this point I have no idea what this story is even
about. Doesn’t matter. The characters will typically let me know what
they need out of life, and that’s your story.

Once I hit a wall, I stop that flow and take the protagonist to
another place. Is there a character I know this protagonist needs to
meet down the road? Is there a conflict I know needs to arise or an
argument or fist fight that needs to go down? Then I write that scene.
I keep doing that until I can think of no other scenes that need
writing. Now I’ve got chunks of book lying around, like a jigsaw
puzzle, so I do my damnedest to put them together. Now I have a very
unfinished jigsaw puzzle.

This is where the work starts, for me. This is where readers and crit
partners come in. They can tell you what you’ve taken for granted,
lost sight of, forgotten about. They will see the plot flaws you
missed, the characters you have no closure with, the subplots that
aren’t featured enough, or featured too strongly. They’ll see the hook
you missed. Listen to them. Then implement the ideas you think will
make the book stronger. (Yeah, being honest with yourself about this
takes practice.)

How to implement? Well, write more scenes. You might think that this
will lead to a lot of disjointed scenes, and this does happen. But
frankly connecting scenes is often a matter of a sentence or two to
establish time and scene. It’s no great hurdle.

Okay, that’s all I’ve got. Happy Hanukkah!


Night 1 Writing Tip

Today’s post is from Jennifer Cervantes, author of TORTILLA SUN, coming in May 2010. Learn more at www.jennifercervantes.com Enjoy and don’t forget to comment!

 

In honor of “showing not telling”, I offer some visual inspiration.

To Be A Better Writer.

To Be a Better Person.

Eight Words to Live By

love Love
imagination Imagination
hope Hope
joy Joy
inspiration Inspiration
dream Dream
passion Passion
peace Peace

8 Nights of Writing Tips

Chanukah starts tonight, and following the leads of Oprah and Ellen, I’m having a giveaway too! This one is a little different because I won’t be giving away DVD players or vacations, but what you will get is its own kind of awesome.

Every night you will get a writing tip from a guest blogger. I am super lucky to have 8 fantastic Tenners and 1 terrific Deb posting! Wait, you still want a tangible gift? Tips from super writers not enough? Ok, ok, I hear you. So this is what I’ll do. Starting tomorrow, each time you post a comment on an entry (but one post per night please), your name will be entered into a drawing. At the end of the week (the last tip will appear next Saturday), I will pick a name at random. That person will receive–drumroll please–a dreidel with chocolate candies AND–oh yeah there is more–my own copy of one of my fave writing books, dog-eared pages and all. I’ll even sign it! Ok..so it’s no car, but I think the authors’ entries more than make up for that.

Be sure to check back tomorrow night for the first tip from….Jennifer Cervantes, author of the soon-to-be-published TORTILLA SUN!

Contests

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